Brian Sewell contrary to public perception in certain quarters is a most edifying character one is unlikely to come across in the competitive art world.
When Quartet became his publisher, we were warned by many of his detractors that he would prove to be hard to handle and will ultimately cause us no end of grief . The reverse as it happened turned out to be untrue and without foundation.
Having been a publisher since 1976 and encountered many rather pompous and presumptuous authors, I can easily vow that Brian was a meticulous professional who invariably endeavoured to give his best in everything he touched and as a consequence was a joy to deal with.
What was remarkable about him, despite being the most accomplished art critic in the western hemisphere, was his total loyalty and devotion to his friends often to his detriment financially.
I can cite many examples of his generosity and grandiose spirit but feel deep inside that had he been alive today, he would have not wished me to do so.
His death two years ago marked the end of an era where men of his calibre are now rare to find. He was a one-off who defied the establishment and had the courage to call a spade a spade unperturbed by the circumstances that followed many of his pronouncements.
One of his books Naked Emperors, which we published in 2012, is a selection of Brian’s criticism during his tenure at the London Evening Standard and was the first collection to be published in over twenty years and was chosen from his art reviews of exhibitions by English contemporary artists. Most first appeared in the London newspaper for whom he first wrote for in 1984. They are gathered chronologically under artist or institution and discuss nearly every important contemporary English art exhibition for the past quarter of a century. Besides being a record of one man’s developing response to the explosion of blockbuster contemporary art shows and multi-millionaire artist escapades of the past two decades, the reviews’ sequence also reveal how much this often maligned critic did, at first, wish the new establishment well. How he came to see so much as dross or fiddle-faddle, is written with such knowledge, style and humour, readers will also come to understand why mugs with ‘Brian Sewell is fab!’ are on sale in gallery gift shops.
Brian Sewell became a devoted friend with whom I spent many a good time and learnt a great deal from him. As a consequence I miss him terribly.
It is time now, you buy a copy of this book for your library or to give away as a gift. This will give the receiver an insight about a great man who lived for his art in deciphering the good and the mediocre for the benefit of us readers.
May his legacy remain as bright as the full moon on a beautiful summer night.